Winter 1994 

• Retrospectives: Alain Resnais; Takehiro Nakajima's OKOGE; George Matsuoka's TWINKLE; Susanne Bier's FREUD LEAVES HOME; Derek Jarman's BLUE; Werner Schroeter's MALINA; Mexican Melodrama; Remembering Malcolm X; Canadian Film Centre Carte Blanche; Michael Snow Carte Blanche; Midi Onodera Carte Blanche; Memorial Screening of Federico Fellini's LA DOLCE VITA; Chen Kaige and China's Fifth Generation; Roman Polanski; Sergei Eisenstein.
• English-Canadian Premiere: Alain Resnais' I WANT TO GO HOME; Werner Schroeter's MALINA.
• Canadian Premieres: Alain Resnais' GERSHWIN; Sergei Eisenstein's THE MISERY AND FORTUNE OF WOMEN.
• Toronto Premieres: George Matsuoka's TWINKLE; Susanne Bier's FREUD LEAVES HOME; Derek Jarman's BLUE; Huang Jianxin's STAND UP, DON'T GROVEL; Xie Fei's WOMEN FROM THE LAKE OF SCENTED SOULS.
• Guests: Michael Snow; Midi Onodera; Gerald O'Grady.

Spring 1994 

• Retrospectives: Leni Riefenstahl; English North American Premiere - Alain Resnais' SMOKING/NO SMOKING; Andy Warhol; Bernardo Bertolucci; Jeremy Podeswa Carte Blanche; Vera Frenkel Carte Blanche; Alan Clarke; Spanish Eyes II: New Films From Spain; Jean-Luc Godard's HÉLAS POUR MOI; Two by Kiéslowski; Micheline Lanctôt's DEUX ACTRICES; Sergei Paradjanov; Rosa von Prauheim; Yasujiro Ozu's Early Films; Ingmar Bergman.
• English North American Premiere: Alain Resnais' SMOKING/NO SMOKING.
• Canadian Premiere: Restored, Full-length version of Bernardo Bertolucci's THE CONFORMIST.
• Toronto Premieres: Manuel Gómez Pereira's WHY DO THEY CALL IT LOVE WHEN WHAT THEY REALLY MEAN IS SEX?; Mariano Barosso's MY SOUL BROTHER; Mario Camus' SHADOWS IN A BATTLE; Vicente Aranda's THE BILINGUAL LOVER; Julio Medem's THE RED SQUIRREL; Juanma Najo Ulloa's THE DEAD MOTHER; Pablo Llorca's HANGING GARDENS; Pedro Almodóvar's KIKA; Arantxa Lazcano's THE DARK YEARS; Bigas Luna's GOLDEN BALLS; Sergei Paradjanov's UKRANIAN RHAPSODY, LITTLE FLOWER ON A STONE, ANDRIESCH, THE FIRST LAD and ASHIK KERIB; Rosa von Prauheim's SURVIVAL IN NEW YORK.
• Guests: Bernardo Bertolucci; Micheline Lanctôt; Rosa von Prauheim; Jeremy Podeswa; Vera Frenkel.

Summer 1994 

• Retrospectives: SUMMER IN ITALY: Films by De Sica; Wertmuller; Bellocchio; Pasolini; Fellini; et al.

Fall 1994 

• Retrospectives: Canvas to Screen: Painters' Lives (Pialat, Becker, Renoir, Clouzot); A Tribute to May Bischoff; Gaumont Presents: A Century of French Cinema (Feuillade, Vigo, Guitry, L'Herbier); Jean-Luc Godard's JLG BY JLG: SELF-PORTRAIT IN DECEMBER and HISTOIRE(S) DU CINÉMA; François Truffaut; Kiéslowski's THE DECALOGUE; New African Cinema; The Fruit Machine: A Retrospective of Film and Video by Canadian Lesbians, Gays and Bisexuals.
• Toronto Premieres: Director's Cut of Jean-Jacques Beineix's BETTY BLUE; R. Bruce Elder's ET RESURRECTUS EST; Ousmane Semb ne's GUELWAAR; Léonce Ngabo's GITO THE UNGRATEFUL; Flora M'mbugu-Schelling's SHIDA AND MATAZIO; Ngozi Onwurah's MONDAY'S GIRLS; Francesco Rosi's CHRIST STOPPED AT EBOLI, CHRONICLE OF A DEATH FORETOLD and TO FORGET PALERMO; Hiroshi Teshigahara's BASARA: THE PRINCESS GOH; Maria Luisa Bemberg's I, THE WORST OF ALL.
• English-Canadian Premieres: Jean-Luc Godard's JLG BY JLG: SELF-PORTRAIT IN DECEMBER and HISTOIRE(S) DU CINÉMA; Restored Version of François Truffaut's TWO ENGLISH GIRLS.
• Guests: Francesco Rosi; Warren Sonbert; Ann Marie Fleming; R. Bruce Elder.